convergingline

student, music listener, gay guy, occasional angry nerd

parscilla:

instead of publicly shaming girls for wearing shorts on an 80 degree day you should teach teachers and male students to not overly sexualize a normal body part to the point where they apparently cant function in daily life

(via capefear)

Be kind to yourself. Stop telling yourself that whatever you are struggling with “should” be easy. If something is hard for you, it is hard for you. There are probably reasons, though those may just be how you are wired. Acknowledge these things. When you finish something hard, be proud! Celebrate a little.

And really, just stop saying “should” to yourself about your thoughts and feelings in any context. You feel how you feel. The things in your head are the things in your head. You can’t change either directly through sheer force of will. You can only change what you do. Stop beating yourself up for who and what you are right now–it isn’t productive. Focus on moving forward.

planetjulie:

terry richardson is the new andy warhol in that he is a stupid fucker who sucks at “art” and needs a cool babe to literally shoot him

(via mirrortheories)

oldloves:

Bill Murray on Gilda Radner:
“Gilda got married and went away. None of us saw her anymore. There was one good thing: Laraine had a party one night, a great party at her house. And I ended up being the disk jockey. She just had forty-fives, and not that many, so you really had to work the music end of it. There was a collection of like the funniest people in the world at this party. Somehow Sam Kinison sticks in my brain. The whole Monty Python group was there, most of us from the show, a lot of other funny people, and Gilda. Gilda showed up and she’d already had cancer and gone into remission and then had it again, I guess. Anyway she was slim. We hadn’t seen her in a long time. And she started doing, “I’ve got to go,” and she was just going to leave, and I was like, “Going to leave?” It felt like she was going to really leave forever.So we started carrying her around, in a way that we could only do with her. We carried her up and down the stairs, around the house, repeatedly, for a long time, until I was exhausted. Then Danny did it for a while. Then I did it again. We just kept carrying her; we did it in teams. We kept carrying her around, but like upside down, every which way—over your shoulder and under your arm, carrying her like luggage. And that went on for more than an hour—maybe an hour and a half—just carrying her around and saying, “She’s leaving! This could be it! Now come on, this could be the last time we see her. Gilda’s leaving, and remember that she was very sick—hello?”We worked all aspects of it, but it started with just, “She’s leaving, I don’t know if you’ve said good-bye to her.” And we said good-bye to the same people ten, twenty times, you know. And because these people were really funny, every person we’d drag her up to would just do like five minutes on her, with Gilda upside down in this sort of tortured position, which she absolutely loved. She was laughing so hard we could have lost her right then and there.It was just one of the best parties I’ve ever been to in my life. I’ll always remember it. It was the last time I saw her.”
- from Live from New York: an Uncensored History of Saturday Night Live

This story still has the power to make me choke up, I must have first read this over a year ago

oldloves:

Bill Murray on Gilda Radner:

“Gilda got married and went away. None of us saw her anymore. There was one good thing: Laraine had a party one night, a great party at her house. And I ended up being the disk jockey. She just had forty-fives, and not that many, so you really had to work the music end of it. There was a collection of like the funniest people in the world at this party. Somehow Sam Kinison sticks in my brain. The whole Monty Python group was there, most of us from the show, a lot of other funny people, and Gilda. Gilda showed up and she’d already had cancer and gone into remission and then had it again, I guess. Anyway she was slim. We hadn’t seen her in a long time. And she started doing, “I’ve got to go,” and she was just going to leave, and I was like, “Going to leave?” It felt like she was going to really leave forever.

So we started carrying her around, in a way that we could only do with her. We carried her up and down the stairs, around the house, repeatedly, for a long time, until I was exhausted. Then Danny did it for a while. Then I did it again. We just kept carrying her; we did it in teams. We kept carrying her around, but like upside down, every which way—over your shoulder and under your arm, carrying her like luggage. And that went on for more than an hour—maybe an hour and a half—just carrying her around and saying, “She’s leaving! This could be it! Now come on, this could be the last time we see her. Gilda’s leaving, and remember that she was very sick—hello?”

We worked all aspects of it, but it started with just, “She’s leaving, I don’t know if you’ve said good-bye to her.” And we said good-bye to the same people ten, twenty times, you know. 

And because these people were really funny, every person we’d drag her up to would just do like five minutes on her, with Gilda upside down in this sort of tortured position, which she absolutely loved. She was laughing so hard we could have lost her right then and there.

It was just one of the best parties I’ve ever been to in my life. I’ll always remember it. It was the last time I saw her.”

- from Live from New York: an Uncensored History of Saturday Night Live

This story still has the power to make me choke up, I must have first read this over a year ago

(via lieofthemind)

prostheticknowledge:

Anish Kapoor in Berlin: ‘in short, Britain’s fucked’
Sad but true statement comparing Britain to Berlin on the arts - via The Guardian:

The British-based artist says the exhibition, entitled Kapoor in Berlin, is the best show he has yet put on, which may have much to do with the fact that he feels Germany demonstrates a huge degree of respect for the arts – in stark contrast to Britain.
“Germans have a rather healthy respect for the arts and artists,” he said, in an exclusive interview with the Guardian, adding that that attitude could “not be more different” from the British perspective.
“In Germany, it seems that the intellectual and aesthetic life are to be celebrated and are seen as part of a real and good education, whereas in Britain, traditionally – certainly since the Enlightenment – we’ve been afraid of anything intellectual, aesthetic, visual.”
These perspectives were reflected in the two countries’ drastically differing policies on financial support of the arts, he said.
“In the UK, while the arts are the second biggest sector after banking, they probably form less than one tenth of 1% of government spending. It’s completely scuzzy. The UK has two things, the arts and education, and both of them it pushes into the corner. It’s the hugest, hugest mistake. Why do British ministers meet anyone from the arts other than to cut them? Compared to Germany, Britain has got quite a long way to go there, frankly
“In short, Britain’s fucked.”

More Here

prostheticknowledge:

Anish Kapoor in Berlin: ‘in short, Britain’s fucked’

Sad but true statement comparing Britain to Berlin on the arts - via The Guardian:

The British-based artist says the exhibition, entitled Kapoor in Berlin, is the best show he has yet put on, which may have much to do with the fact that he feels Germany demonstrates a huge degree of respect for the arts – in stark contrast to Britain.

“Germans have a rather healthy respect for the arts and artists,” he said, in an exclusive interview with the Guardian, adding that that attitude could “not be more different” from the British perspective.

“In Germany, it seems that the intellectual and aesthetic life are to be celebrated and are seen as part of a real and good education, whereas in Britain, traditionally – certainly since the Enlightenment – we’ve been afraid of anything intellectual, aesthetic, visual.”

These perspectives were reflected in the two countries’ drastically differing policies on financial support of the arts, he said.

“In the UK, while the arts are the second biggest sector after banking, they probably form less than one tenth of 1% of government spending. It’s completely scuzzy. The UK has two things, the arts and education, and both of them it pushes into the corner. It’s the hugest, hugest mistake. Why do British ministers meet anyone from the arts other than to cut them? Compared to Germany, Britain has got quite a long way to go there, frankly

“In short, Britain’s fucked.”

More Here

(via hennessyyoungman)

I hate having to describe to people why I get so incensed about the drug war. Yes, it can be as disheartening and tragic as a “real” war

No, it’s not because I’m obsessed with “freeing da leaf”, it affects millions of people, is de facto slavery in their unbalanced approach to targeting and jailing minorites…. I could go on and on….give me the alphabet and I’ll start listing reasons what’s wrong with the drug war

I hate having to describe to people why I get so incensed about the drug war. Yes, it can be as disheartening and tragic as a “real” war

No, it’s not because I’m obsessed with “freeing da leaf”, it affects millions of people, is de facto slavery in their unbalanced approach to targeting and jailing minorites…. I could go on and on….give me the alphabet and I’ll start listing reasons what’s wrong with the drug war

(Source: jackpowerx, via kyaryarchy)